Jahresgaben 2022

December 4, 2022 – January 29, 2023

Opening: Saturday 3 December, from 6pm

We are pleased to present our Jahresgaben 2022 with outstanding new contributions from 33 artists. This year's selection was co-conceived with art historian Gregor Quack. With works by Yuji Agematsu, Tolia Astakhishvili, Ericka Beckman, Anna & Bernhard Blume, Matej Bosnić, Gillian Carnegie, Truong Que Chi, Whitney Claflin, Stephanie Comilang, Julie de Kezel, Pierre-Yves Delannoy, Aleksandra Domanović, Ayşe Erkme, Bracha L. Ettinger, Christian Flamm, Rochelle Goldberg, Petrit Halilaj, Mona Hatoum, Tobias Hohn & Stanton Taylor, Judith Hopf, Merlin James, Allison Katz, Michael Kleine, Josh Kline, John Knight, Marc Kokopeli, Liza Lacroix, Matthew Langan-Peck, Harkeerat Mangat, Helen Marten, Nguyen Phuong Linh, Berenice Olmedo, Murat Önen, Silke Otto-Knapp, Megan Plunkett, Niko Princen, Tal R, James Richards, Ulrike Rosenbach, Victoria Roth, Kern Samuel, Yuu Takamizawa, Sung Tieu, Emilia Urbanek, Franz Erhard Walther and Marianne Wex.

Yuji Agematsu, AM 11:34 ~ PM 12:34, on I. López Rayon between Guerrero & Tepito, 2019, Vinyl record, plastic string, fabric, two parts: 31.1 × 31.1 cm; 81.9 × 16.8 cm.

Yuji Agematsu, AM 11:34 ~ PM 12:34, on I. López Rayon between Guerrero & Tepito, 2019, Vinyl record, plastic string, fabric, two parts: 31.1 × 31.1 cm; 81.9 × 16.8 cm.

Tolia Astakhishvili, Happy, 2020, Oil and acrylic on canvas, 25 × 30 cm.

Tolia Astakhishvili, Happy, 2020, Oil and acrylic on canvas, 25 × 30 cm.

Ericka Beckman, The Spinner, 1984, C-Print, 17 × 23 cm.

Ericka Beckman, The Spinner, 1984, C-Print, 17 × 23 cm.

Ericka Beckman, Cinderella Game 1–4, 1986/2015, Pigment print, 4-parts 40,64 × 50,8 cm (per panel).

Ericka Beckman, Cinderella Game 1–4, 1986/2015, Pigment print, 4-parts 40,64 × 50,8 cm (per panel).

Anna & Bernhard Blume, gegenseitig, 1986/89, Three photocopies (Xerox), 49 × 29.7 cm.

Anna & Bernhard Blume, gegenseitig, 1986/89, Three photocopies (Xerox), 49 × 29.7 cm.

Matej Bosnić, Life in fresh waters (birth), 2022, Silver gelatine print, 32.5 × 50 cm.

Matej Bosnić, Life in fresh waters (birth), 2022, Silver gelatine print, 32.5 × 50 cm.

Gillian Carnegie, 8, 2020, Giclée-Print, 89.1 × 63.4 cm.

Gillian Carnegie, 8, 2020, Giclée-Print, 89.1 × 63.4 cm.

Truong Que Chi, Landscape, 2022, Print on transparent foil in glass, 29.7 × 21 cm.

Truong Que Chi, Landscape, 2022, Print on transparent foil in glass, 29.7 × 21 cm.

Whitney Claflin, Krtkkarphillmuk, 2022, Oil and ink on canvas, 28 × 35.5 cm.

Whitney Claflin, Krtkkarphillmuk, 2022, Oil and ink on canvas, 28 × 35.5 cm.

Stephanie Comilang, Baril, 2022, Image transfer on woven Piña-fabric, shell beading, 40 x 50 cm.

Stephanie Comilang, Baril, 2022, Image transfer on woven Piña-fabric, shell beading, 40 × 50 cm.

Julie de Kezel, Micro Amorph Stilleto #1, #2, #4, 2022, 3D-Resin-Print with acrylic and resin, 17.5 × 7.5 × 7.5 cm (vitrine).

Julie de Kezel, Micro Amorph Stilleto #1, #2, #4, 2022, 3D-Resin-Print with acrylic and resin, 17.5 × 7.5 × 7.5 cm (vitrine).

Pierre-Yves Delannoy, Embroideries on cashier’s ticket, 2019–21, Embroidery on paper, 14 × 27 cm.

Pierre-Yves Delannoy, Embroideries on cashier’s ticket, 2019–21, Embroidery on paper, 14 × 27 cm.

Aleksandra Domanović, Powerloader, 2015, Archival inkjet print on transparent foil, 90 × 90 cm.

Aleksandra Domanović, Powerloader, 2015, Archival inkjet print on transparent foil, 90 × 90 cm.

Ayşe Erkmen, Two colors, #1, Acrylic on canvas, ca. 10 × 10 cm.

Ayşe Erkmen, Two colors, #1, Acrylic on canvas, ca. 10 × 10 cm.

Ayşe Erkmen, Two colors, #2, Acrylic on canvas, ca. 10 × 10 cm.

Ayşe Erkmen, Two colors, #2, Acrylic on canvas, ca. 10 × 10 cm.

Ayşe Erkmen, Two colors, #3, Acrylic on canvas, ca. 10 × 10 cm.

Ayşe Erkmen, Two colors, #3, Acrylic on canvas, ca. 10 × 10 cm.

Ayşe Erkmen, Two colors, #4, Acrylic on canvas, ca. 10 × 10 cm.

Ayşe Erkmen, Two colors, #4, Acrylic on canvas, ca. 10 × 10 cm.

Bracha L. Ettinger, Medusa (series), 2013–17, India Ink, toner, ashes, color pencil, watercolor on paper, 21.5 × 13.5 cm.

Bracha L. Ettinger, Medusa (series), 2013–17, India Ink, toner, ashes, color pencil, watercolor on paper, 21.5 × 13.5 cm.

Bracha L. Ettinger, Eurydice – Pieta series, 2013–17, India Ink, toner, ashes, color pencil, watercolor on paper, 23.5 × 27.5 cm.

Bracha L. Ettinger, Eurydice – Pieta series, 2013–17, India Ink, toner, ashes, color pencil, watercolor on paper, 23.5 × 27.5 cm.

Bracha L. Ettinger, Crazy woman (series), 2013–17, India Ink, toner, color pencil, watercolor on paper, 23,3 × 21,5 cm.

Bracha L. Ettinger, Crazy woman (series), 2013–17, India Ink, toner, color pencil, watercolor on paper, 23,3 × 21,5 cm.

Christian Flamm, Die Leute denk’ ich mir, 2022, Silkscreen, 42 × 59.4 cm.

Christian Flamm, Die Leute denk’ ich mir, 2022, Silkscreen, 42 × 59.4 cm.

Rochelle Goldberg, Untitled, 2022, Inkjet print, 28 × 18.7 cm.

Rochelle Goldberg, Untitled, 2022, Inkjet print, 28 × 18.7 cm.

Petrit Halilaj, Kosterrc, 2011, Pigment print on rag paper, 57 × 75 cm.

Petrit Halilaj, Kosterrc, 2011, Pigment print on rag paper, 57 × 75 cm.

Mona Hatoum, T42, 1993–98, Fine stoneware, 5.5 × 24.5 × 14 cm.

Mona Hatoum, T42, 1993–98, Fine stoneware, 5.5 × 24.5 × 14 cm.

Tobias Hohn & Stanton Taylor, Non-Fiction (Wunschlos Glücklich – Erster Entwurf), 2022, Mixed Media, 30 × 40 × 12 cm.

Tobias Hohn & Stanton Taylor, Non-Fiction (Wunschlos Glücklich – Erster Entwurf), 2022, Mixed Media, 30 × 40 × 12 cm.

Judith Hopf, Vier bis Neun, 2008, Woodcut, 50 × 35 cm.

Judith Hopf, Vier bis Neun, 2008, Woodcut, 50 × 35 cm.

Merlin James, Reality, 2006–22, Acrylic and hair on canvas, 41 × 51 cm.

Merlin James, Reality, 2006–22, Acrylic and hair on canvas, 41 × 51 cm.

Allison Katz, Wheezy IV, 2019, Hand-glazed ceramic, circumference: 29.5 cm.

Allison Katz, Wheezy IV, 2019, Hand-glazed ceramic, circumference: 29.5 cm.

Michael Kleine, Untitled, 2019, leather, sand, 13 × 8 × 13 cm.

Michael Kleine, Untitled, 2019, leather, sand, 13 × 8 × 13 cm.

Josh Kline, Reactionary Strains 4, 2020, Marker on acid-free paper in pigmented silicone frame, 44.8 × 37 × 3.2 cm.

Josh Kline, Reactionary Strains 4, 2020, Marker on acid-free paper in pigmented silicone frame, 44.8 × 37 × 3.2 cm.

John Knight, a work ex situ, 2021, Street sign , 50 cm.

John Knight, a work ex situ, 2021, Street sign , 50 cm.

Marc Kokopeli, Spill, 2020, Mixed Media, 38.1 × 40.6 × 38 cm.

Marc Kokopeli, Spill, 2020, Mixed Media, 38.1 × 40.6 × 38 cm.

Liza Lacroix, Untitled, 2022, Crayon on paper, 59.4 × 73.3 cm.

Liza Lacroix, Untitled, 2022, Crayon on paper, 59.4 × 73.3 cm.

Matthew Langan-Peck, WTLA 1, 2021, Wood, epoxy, metal, iron oxide, acryliy, vinyl paint, 78 × 17 × 17 cm.

Matthew Langan-Peck, WTLA 1, 2021, Wood, epoxy, metal, iron oxide, acryliy, vinyl paint, 78 × 17 × 17 cm.

Harkeerat Mangat, Limited edition box set, Linen box, vinyl sleeve, inkjet print, silver gelatin photograph, lathe-cut vinyl record, Edition of 12.

Harkeerat Mangat, Limited edition box set, Linen box, vinyl sleeve, inkjet print, silver gelatin photograph, lathe-cut vinyl record, Edition of 12.

Helen Marten, Tenderly, 2017, Silkscreen on embossed paper, dried flowers, 42 × 29.6 cm.

Helen Marten, Tenderly, 2017, Silkscreen on embossed paper, dried flowers, 42 × 29.6 cm.

Nguyen Phuong Linh, Tongue, 2021, UV-print on PVC, LED lamp, 80 × 200 cm.

Nguyen Phuong Linh, Tongue, 2021, UV-print on PVC, LED lamp, 80 × 200 cm.

Berenice Olmedo, Alotropía, 2020, 3D printed polyurethane, 15.5 × 14.5 × 12.5 cm.

Berenice Olmedo, Alotropía, 2020, 3D printed polyurethane, 15.5 × 14.5 × 12.5 cm.

Murat Önen, Pile, 2022, Oil on paper, 65 x 50 cm.

Murat Önen, Pile, 2022, Oil on paper, 65 × 50 cm.

Silke Otto-Knapp, Performance, 2021, Silkscreen on japan paper, 59 × 42 cm.

Silke Otto-Knapp, Performance, 2021, Silkscreen on japan paper, 59 × 42 cm.

Megan Plunkett, The Great Suggestion 01, C-Print, 68.5 × 102 cm; The Great Suggestion 02, C-Print, 62 × 92 cm.

Megan Plunkett, The Great Suggestion 01, C-Print, 68.5 × 102 cm; The Great Suggestion 02, C-Print, 62 × 92 cm.

Niko Princen, Dots, 2022, Giclée-print on 290 gr. Hahnemühle agave paper, 40 x 50 cm.

Niko Princen, Dots, 2022, Giclée-print on 290 gr. Hahnemühle agave paper, 40 × 50 cm.

Niko Princen, Watercolour, 2022, Giclée-print on 290 gr. Hahnemühle agave paper, 29.7 × 21 cm.

Niko Princen, Watercolour, 2022, Giclée-print on 290 gr. Hahnemühle agave paper, 29.7 × 21 cm.

Niko Princen, De Vlieger, 2022, Giclée-print on 290 gr. Hahnemühle agave paper, 16 × 10 cm.

Niko Princen, De Vlieger, 2022, Giclée-print on 290 gr. Hahnemühle agave paper, 16 × 10 cm.

Tal R, Boy on Balcony, 2012, Drypoint etching, 43 × 24 cm.

Tal R, Boy on Balcony, 2012, Drypoint etching, 43 × 24 cm.

James Richards, Crumb Mahogany, 2012, Digital pigment print, 56 × 38 cm.

James Richards, Crumb Mahogany, 2012, Digital pigment print, 56 × 38 cm.

Ulrike Rosenbach, Abschied von Polke, 2012, Collage, 35.5 × 26.5 cm.

Ulrike Rosenbach, Abschied von Polke, 2012, Collage, 35.5 × 26.5 cm.

Victoria Roth, Dorsal, 2020, Oil on canvas, 35,5 × 28 cm.

Victoria Roth, Dorsal, 2020, Oil on canvas, 35,5 × 28 cm.

Kern Samuel, Have Mercy On Me, 2022, Acrylic and soil on denim fabric, embroidery, 68.6 x 68.8 cm.

Kern Samuel, Have Mercy On Me, 2022, Acrylic and soil on denim fabric, embroidery, 68.6 × 68.8 cm.

Yuu Takamizawa, Untitled, 2022, C-print, 85 cm × 85 cm.

Yuu Takamizawa, Untitled, 2022, C-print, 85 cm × 85 cm.

Sung Tieu, Untitled (Civic Floor I), 2022, Photogravure, 47 × 57 cm.

Sung Tieu, Untitled (Civic Floor I), 2022, Photogravure, 47 × 57 cm.

Sung Tieu, Untitled (Civic Floor II), 2022, Photogravure, 47 x 47 cm.

Sung Tieu, Untitled (Civic Floor II), 2022, Photogravure, 47 × 47 cm.

Emilia Urbanek, Not yet titled, 2022, Oil, casein, gravure und acrylic on canvas, 52 × 57 cm.

Emilia Urbanek, Not yet titled, 2022, Oil, casein, gravure und acrylic on canvas, 52 × 57 cm.

Franz Erhard Walter, Skulpturfindung, 2014, Oil crayon and pencil on paper, 42 × 30 cm.

Franz Erhard Walter, Skulpturfindung, 2014, Oil crayon and pencil on paper, 42 × 30 cm.

Marianne Wex, „Weibliche“ und „männliche“ Körpersprache, 1970–2013, Digital print, 42 × 29.7 cm.

Marianne Wex, „Weibliche“ und „männliche“ Körpersprache, 1970–2013, Digital print, 42 × 29.7 cm.